Julian
David
Bryson
Composer
Conductor
Educator
Julian
David
Bryson
Composer
Conductor
Educator
Julian conducts music that draws opposites into conversation: sacred and secular, ancient and contemporary, classical and popular, individual and collective. It's a philosophy that took root early. His first musical performance took place on the back of a pew, where as a toddler he played imaginary duets with the church pianist every Sunday. His parents promised piano lessons when his feet could reach the pedals, and at the age of eight, he sat down, stretched as far as he possibly could, and just barely brushed the brass. Lessons began immediately. Decades later, he can easily reach the pedals (and even the keyboard at the same time), but he prefers now to stretch the boundaries of choral music.
Named runner-up for the National Dale Warland Award for Choral Conducting, Julian has taught musicians in elementary classrooms and university concert halls across Florida, Alabama, Virginia, Kentucky, and Massachusetts, most recently in Virginia, where he serves as Director of Choral Activities at Radford University, leading three choral ensembles and teaching courses in conducting, education, and music theory.
Before Radford, Julian spent more than a decade in higher education shaping programs that reflected his artistic curiosity. As Director of Choral Activities at Jacksonville University, he directed the University Singers and Choral Union, taught courses ranging from Conducting to Musical Theatre, and founded Infinitus — a student-led new music choral collective and the first collegiate member of the C4 Network. His JU colleagues nominated him for both the Professor of the Year and Faculty Excellence Awards.
The C4 connection runs deep: Julian was a founding member of Triad: Boston's Choral Collective, one of the pioneering ensembles in that network, and the experience became the seed of his doctoral research. At the University of Kentucky, studying under Jefferson Johnson and Lori Hetzel, he examined in his doctoral dissertation how collectively organized choirs challenge the traditional boundaries between composer, conductor, and ensemble.
At Curry College in Milton, MA, he led two choirs, taught arts electives ranging from Music in Film to Music Theory: Songwriting, and co-designed an interdisciplinary course called Monstrous: Within/Without for Curry's inaugural First Year Inquiry program — earning the Excellence in Teaching Award in 2019. He also holds degrees in conducting and composition from the University of Tennessee, studying with David Stutzenberger, Angela Batey, and Kenneth Jacobs.
Julian's compositions explore the same artistic tensions that define his conducting. A Parable of Choices sets Wilfred Owen’s anti-war poetry against the Genesis story of Abraham and Isaac, creating a musical drama that won the Yale Glee Club Emerging Composers Competition. Redemption Mass grafts Erwäge from Bach’s St. John Passion and the Doxology onto the traditional Latin Mass, winning the ACDA Raymond W. Brock Student Composition Contest. The Field (ubi caritas) draws Kahlil Gibran’s The Prophet, the Ubi caritas hymn, and Leviticus into conversation, earning third place in The American Prize for Professional Choral Composition. The Florida Vocal Association commissioned Clarion Call for their All-State Men's Chorus and Concert Band, and it contrasts texts from Abraham Lincoln and Dr. Martin Luther King, Jr. Other commissions have come from the University of Kentucky, San Jacinto College Choir, First Baptist Church of Huntsville, and the Voices of Jacksonville, among others. His works are regularly featured in the Project:Encore catalog and published by EC Schirmer, the Indianapolis Children's Chorus Publishing House, and MusicSpoke. Performances have stretched from Alabama to Australia.
When he isn't on the podium or at the keyboard, Julian loves discussing theology and politics, making guacamole, watching Star Trek (literally every episode) and RuPaul's Drag Race (all except Sweden and The Switch), spending time in the gym, and most of all, his husband Ariel.
2025
Fire Flowers (SATB, TTBB, SSAA, 2-part Mixed/Treble/TeBa, OR Middle School Mixed and piano)
2024
Shiloh (SATB and piano)
2023
Through the Vitreous (Brass Quintet)
2022
Justify This Day (SATB, a cappella)
The Lover’s Crown (SATB, a cappella)
2019
The Field (Ubi Caritas) (SATB, String Trio, Piano, and Percussion)
2018
Stars Beyond (SATB, Handbells, and Piano)
Green Is the Color of Its Flame (SATB and Piano)
2016
All Things New (SATB and String Quartet) View the score
2015
Clarion Call (TTBB and Concert Band)
2014
Holy God, We Praise Thy Name
(2pt. Treble w/descant and Piano)
...with music... (TTBB and Piano)
2013
Scene from the Student Prince (TTBB and Piano)
Minstrel Boy (TTBB and Piano)
The First Noel
(Multiple Choirs, Soloists, and Instrumental Ensemble)
Auld Lang Syne (SATB and Celtic Band)
One Note Samba (TTBB and Piano)
2010 & Before
Come, Christians Join to Sing
(Unison/2pt Treble with Piano, C Instrument, and Congas)
Presidential Campaign Songs Medley (SATB and Piano)
The Parting Glass (SATB and Celtic Band)
Rocky Road to Dublin (SATB and Celtic Band)
St. Brendan's Fair Isle (SATB and Celtic Band)
Minstrel Boy (SATB and Piano)
I'm Gonna Sing (SATB, a cappella)
Fire Flowers (2026)
Shiloh (2025)
e pluribus unum (Hope Like Gold) (2024)
The Lover’s Crown (2024)
A Riddle (2023)
The Field (ubi caritas) (2020)
Fire and Ice (2017)
O nata lux (2017)
2024-2025 The Lover’s Crown & e pluribus unum (Hope Like Gold) (Finalists)
2023-2024 A Riddle & Justify This Day (Finalists)
2022-2023 We Are the Music Makers & Stars Beyond (Finalists)
2022-2023 Fire and Ice & O nata lux (Semi-Finalists)
2019-2020 The Field (ubi caritas) (Third Place, Major Works)
2018-2019 A Parable of Choices (Finalist), Green Is the Color of Its Flame & All Things New (Semi-Finalists)
Dale Warland Award in Choral Conducting (Second Place)
Infinitus: Ernst Bacon Memorial Award for the Performance of American Music (Finalist)
University Singers: The American Prize in Choral Performance (Finalist)
If I Can… (Finalist)
e pluribus unum (Hope Like Gold)
Masters in This Hall
Pressing Instincts (Mallet Percussion Ensemble)
Never Handle Firearms Carelessly (Mezzo-soprano and Piano)